The nature of my music is pretty similar. 80% of what I play is acoustic piano. I tend to use the Grand Lady D and Amber Upright based on the particular song, room acoustics and how my ear is perceiving things. I look for opportunities to play EP whenever I can, but also rely only on the Nefertiti and MkI Close Ideal for those times. Even then, I have an EQ setting I like (and store with the program) and then tweak the effects as needed. Organ is similar - I have about 3 or 4 basic B3 programs that I just tweak on the fly.Gambold wrote:>With the NE6, which of the three is it a MUST DO and what sample, piano or organ is eliminated from using the effect EQ? <
Yeah, that's a little clunky and sometimes you have to use two hands to fix it on the fly which is not the best situation.
Songlists - I've tried very hard in my live "career" to keep my total sound count as low as possible. I feel if I stray over 8 sounds (that includes different acoustic pianos or organs) then I am becoming more of an effects machine than a keyboardist.
Piano, Rhodes, and B3 should comprise 90% of what I play - I'll suffer the band's request for some synth crap on one or two numbers, and I'll do horns ONCE an evening, when we play "I Wish." If they want strings, I tell them to hire an orchestra. It's a bar, people, it's not a conservatory.
Watch the Beatles' rooftop concert - that's all you need. A suitcase Sparkletop...
This means that I can pretty much store my entire repertoire in a small number of programs, which makes navigating very easy. I could probably simplify it even further by setting up the organ settings within a piano program, then just switch over to the organ engine without even changing the program.
For the fusion band, I have a handful of song-specific programs, but they are few and I look for reuse opportunities where possible.
But I'm sure I'm not the norm here. I don't play any pop or rock music whatsoever.