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The A#+5 (A#, D, F#) is, as far as I can tell, functionally an F#7+5 as dominant chord leading to the Bm7 in the chorus, with the bass moving to the C as a tritone substitute. Tricky, but cool.
Then the whole thing repeats except up a half-tone.
Horn break is just cm7 and gm7.
Transition to piano solo is something like dm7 and C#7b5
key solo is Cm7 and gm7 again, ending in Am7b5 and that weird run and
shift the next chorus another half-note up into C#m7 and G#m7, ending in A#m7b5 and that weird run and
another half-note up.
Last edited by Johannes on 10 Apr 2014, 20:00, edited 1 time in total.
These users thanked the author analogika for the post (total 2):
Yep, it seems to be quite right. The A#+5/C is equivalent to a C9#11 (tritone substitute for F#7).
When it comes to the sound, I think it's a wurlizer with phaser. On my NE4 I get pretty good results with the amped wurly sample, dyn=3, phase 2 rate 3, and some eq.
/Anders
These users thanked the author elektromin for the post (total 2):