Re: New AC Piano Sound from CLAVIA - Silver GRAND
Posted: 02 Jul 2015, 23:12
I like it too even if I can see - or rather hear - what some people are missing.
Plus: Very detailed, clear, dynamic, unusually good treble range for Nord's AP samples. I also like the bass range, there is a lot of substance in it despite the clear character of the sound. In detail it clearly beats the Bosie, and it's a little smoother than the Faz while still more substantial than the Bright Grand. Very nicely tuned, and quite dynamic in the p-ff range. I like the realism of the hammer noises; I guess it depends on amplification whether or not they come out too hard or not. The sound has long sustain which is good. It's more fun to play a low bass together with a solo in the upper range than with most other AP sounds in the library.
So-so: the middle octave and a bit up and down, there some body is missing and the character is slightly tinny indeed. In the pp-p range I think it's a bit too bright overall and I prefer the Bosie. Still, the lack of detail in the Bosie is evident compared to the new SK7 if you go back and forth between the two.
I'm sure it will work for most of pop/rock and some jazz (of the brighter kind). For classical it seems to suit Baroque and Classical in the stricter sense (i.e. Haydn, Mozart etc.), whereas Romantic music (eg. Chopin) might require a somewhat warmer piano range.
Where is that rich, full-bodied, even, well-tuned sample that is warm and mellow in the ppp-p range and that then gradually opens up as it should when you go louder (without overdoing it)?
I'd be interested to hear your experiences with stage amplification though.
Plus: Very detailed, clear, dynamic, unusually good treble range for Nord's AP samples. I also like the bass range, there is a lot of substance in it despite the clear character of the sound. In detail it clearly beats the Bosie, and it's a little smoother than the Faz while still more substantial than the Bright Grand. Very nicely tuned, and quite dynamic in the p-ff range. I like the realism of the hammer noises; I guess it depends on amplification whether or not they come out too hard or not. The sound has long sustain which is good. It's more fun to play a low bass together with a solo in the upper range than with most other AP sounds in the library.
So-so: the middle octave and a bit up and down, there some body is missing and the character is slightly tinny indeed. In the pp-p range I think it's a bit too bright overall and I prefer the Bosie. Still, the lack of detail in the Bosie is evident compared to the new SK7 if you go back and forth between the two.
I'm sure it will work for most of pop/rock and some jazz (of the brighter kind). For classical it seems to suit Baroque and Classical in the stricter sense (i.e. Haydn, Mozart etc.), whereas Romantic music (eg. Chopin) might require a somewhat warmer piano range.
Where is that rich, full-bodied, even, well-tuned sample that is warm and mellow in the ppp-p range and that then gradually opens up as it should when you go louder (without overdoing it)?
I'd be interested to hear your experiences with stage amplification though.