anotherscott wrote:analogika wrote:It seems obvious that you can play better on the Stage 2 compact.
ciciss wrote:No doubt.
Maybe, because I like the way it sounds my Yamaha NS-10M, I can't lie about it
But I swear I tried to be more expressive and honest with what I intend to play on both !
I disagree.
I haven't heard all the samples, but from what I heard I'd say:
* the difference between NS2 and NS3 is less when played directly than when triggered over MIDI
Totally agree. Much less indeed!
* both sound good, only the player knows which better reproduced his intent, though I'm guessing he wanted (for example) the quieter intro of the NS2 on the "Minor Roll"
* but again in the "Minor Roll" samples, the NS3 version is played cleanly, the NS2 version appears to have missed notes in quiet passages. This is consistent with my experience on the NS2 Compact, that I could not reliably play pianissimo, I'd get dropped notes, as there was too little leeway between the amount of force to trigger any sound whatsoever and the minimum amount of force that would trigger something louder than pianissimo. I could not reliably stay in that range. (The NE5D is much better in this respect, btw.)
I agree with that, but using triple pedal una corda I can get more subtle pianíssimos on NS2 intended to be played.
This is why I disagree that he can play better on the NS2. He may be able to play with more pianissimo expressivity (again, assuming that was his intent), but that also yielded unfortunately inaudible notes. The NS3 version, then, was "better played" to my ears, because even if it didn't mirror his intent (which we don't know for sure), it sounds like a perfectly good performance, whereas the other sounds flawed due to the dropped notes.
That one is trick.. I Could understand that NS3 could sounds "better" for you. But, be carefull, if you are listening to something that I didn't intend to play you are NOT listening to ME my friend, and you are not listening to MY music and to my intentions and feelings. So whats the point to play without playing?
So given the choice between somewhat less dynamic expressivity on the quiet end vs. having notes drop out altogether, I'd pick the former, if that's indeed what the choice is. I presume this difference would not apply to the hammer action versions, though.